Petrophonics

Auteurs-es

DOI :

https://doi.org/10.18357/anthropologica66220242684

Mots-clés :

pétrophonie, sciences humaines de l’énergie , études sonores , anthropologie sonore, pétrosonique, auto-ethnographie, crise climatique

Résumé

S’inspirant des études sonores, des sciences humaines de l’énergie et de l’anthropologie, cet essai identifie une lacune critique dans la reconnaissance académique de la « pétrophonique » – les sous-produits sonores et vibratoires de la dépendance aux combustibles fossiles qui envahissent les paysages sonores contemporains – dans les études et les paysages sonores, ainsi que dans les sciences humaines de l’environnement et de l’énergie, où de tels phénomènes sont souvent rejetés comme du « bruit blanc» ou de l’ambiance de fond. Par l’intermédiaire d’une analyse théorique et une observation empirique, nous tentons de définir la pétrophonie à la fois comme un objet d’étude et comme un cadre d’engagement critique. En nous concentrant sur le bruit de la circulation – l’exemple le plus accessible de la pétrophonie – en tant que phénomènes culturel et matériel plutôt que comme simple fond sonore, nous proposons une définition spéculative de la pétrophonie, caractérisée par son ancrage matérialiste dans les infrastructures de combustibles fossiles et sa capacité à exister indépendamment de l’audibilité. Cet essai conclut en soulignant les dimensions politiques, temporelles et décoloniales de la pétrophonie, en plaidant pour une approche éthico-affective qui met en avant les réalités relationnelles et infrastructurelles de la pétro-modernité. Ce cadre invite les chercheurs et les praticiens à s’intéresser de nouveau aux sons omniprésents mais négligés de la dépendance aux combustibles fossiles et à imaginer des mondes phoniques alternatifs, post-pétroculturels.

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University of Victoria

Bibliographies de l'auteur-e

David Janzen, University of Lethbridge

David Janzen is Assistant Professor in New Media at the University of Lethbridge, Canada. His work explores intersections of environment, media studies, and crisis theory. Current projects draw on field research, contemporary philosophy, sound studies, and research-creation to examine human-nature entanglements in environmental media. Janzen has published journal articles in a wide range of disciplines, from Soil Biology and Biochemistry to Historical Materialism. He is also a writer, poet, and artist; his recent collection of poems, titled nature : nurture, is published by Baseline Press.

Reuben Martens, University of Waterloo

Reuben Martens is an AMTD Global Talent Postdoctoral Fellow at the University of Waterloo. His work is mainly situated within the fields of the energy humanities, ecocinema, contemporary North American fiction, sound studies, and critical infrastructure studies. He has published articles on energy and ontology in The Matrix trilogy in ISLE; on petromelancholia in Indigenous Canadian literature in American Imago; on the dynamics of infrastructural prolepsis in contemporary American fiction in Resilience; and renewable energy politics of the solarpunk movement in Extrapolation. He is also a sound artist, poet, and screenwriter.

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Publié-e

2025-03-04

Comment citer

Janzen, D., & Martens, R. (2025). Petrophonics. Anthropologica, 66(2). https://doi.org/10.18357/anthropologica66220242684

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Semences : Sonner l'alarme