Introduction: Ethnographie, performance et imagination
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https://doi.org/10.3138/anth.2017-0006-frRésumé
Cette Introduction à la section thématique « Ethnographie, performance et imagination » explore la performance comme « ethnographie imaginative » (Elliott et Culhane 2017), c’est-à-dire comme pratique de recherche transdisciplinaire, collaborative, incarnée, critique et engagée qui s’inspire de l’anthropologie et des arts créatifs. L’accent est mis en particulier sur la performativité de la performance (un événement délibérément mis en scène pour un public), employée à la fois comme processus ethnographique (travail de terrain) et comme mode de représentation ethnographique. Les questions posées sont les suivantes: La performance peut-elle nous aider à étudier et à mieux comprendre les mondes de la vie imaginative tels qu’ils se déploient dans le moment présent? La performance nous permet-elle de repenser l’anthropologie de l’imagination? Est également posée la question de savoir si le travail mené à la croisée de l’anthropologie, de l’ethnographie, de la performance et de l’imagination permet de transformer la façon dont sont abordés les processus et les produits ethnographiques, les questions de réflexivité et de représentation, les relations ethnographes-participants et les publics ethnographiques. La manière dont la performance employée comme ethnographie peut nous aider à reconceptualiser l’engagement public et l’activisme ethnographique, l’ethnographie collaborative/participante, ainsi que la recherche interdisciplinaire au sein et au-delà du monde universitaire, est aussi examinée. Enfin, cette Introduction donne un bref aperçu des contributions à cette section thématique, lesquelles abordent ces questions de différents points de vue théoriques, méthodologiques et thématiques.
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