Exile Materialities and Their Brushstrokes of Colour

Francisco Rivera

doi:10.18357/anthropologica64220221059

Auteurs-es

Francisco Rivera Arctic Studies Center, Smithsonian Institution

DOI :

https://doi.org/10.18357/anthropologica64220221059

Mots-clés :

odonymes, art public, exil, dictature, Chili

Résumé

Les odonymes urbains et l’art public qui font référence à la dictature chilienne (1973-1990) sont des artefacts dans les paysages culturels de Toronto, Laval et Montréal. En tant que dispositifs matériels commémoratifs, je suggère que les odonymes et l’art public offrent un moyen symbolique de faire face à l’expérience de l’exil. De plus, ces artefacts créent des relations sociales entre les exilés chiliens et les espaces urbains canadiens qui contribuent à former une communauté étrangère et à définir leur présent et leur avenir. À l’aide d’une série de photographies, je fais la chronique de la commémoration, au Canada, d’une période traumatisante de l’histoire récente du Chili.

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