The Melancholy Monument of the Left

Petra Rethmann

doi:10.18357/anthropologica64120221024

Auteurs-es

Petra Rethmann McMaster University

DOI :

https://doi.org/10.18357/anthropologica64120221024

Mots-clés :

Mélancolie, mémoire, arts relationnels, histoire, monument, left, Russie

Résumé

De novembre 2017 à avril 2018, un collectif d’artistes activistes russes Chto delat (que devrions-nous faire ?) a exposé un certain nombre d’œuvres en mémoire de la révolution russe, au Museo Universitario Arte Contemporaneo (Musée universitaire d’art contemporain) de la Ville de Mexico. En me concentrant sur trois monuments, j’examine dans cet article la capacité des monuments du collectif à inspirer des médiations politiques sur le potentiel historique, ancré dans les passés révolutionnaires. Je soutiens que la mélancolie ne marque pas inévitablement une fixité historique ou un deuil inachevé, mais plutôt une ouverture temporelle à la productivité mnémonique et à la solidarité. En ce sens, la mélancolie n’indexe pas une réponse pathologique à la perte, mais plutôt une alternative politique au deuil normatif. En récupérant la mélancolie comme une relation potentiellement productive et critique au passé, Chto delat reformule les accusations de mélancolie de la gauche « coincée Anthropologica 64.1 (2022) The Melancholy Monument of the Left 1 dans le passé » comme une ouverture pour considérer des alternatives à ce qui est actuel aujourd’hui.

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