Hexsa’am: To Be Here Always – Gallery as Big House
DOI:
https://doi.org/10.3138/anth.2019-0023Downloads
References
Ginsburg, Faye. 1994. “Embedded Aesthetics: Creating a Discursive Space for Indigenous Media.” Cultural Anthropology 9(3): 365–382.
Nicholson, Marianne (‘Tayagila’ogwa) and Althea Thauberger. 2018. Hexsa’am [To Be There Always]. Video.
Raheja, Michell H. 2007. “Reading Nanook’s Smile: Visual Sovereignty, Indigenous Revisions of Ethnography, and Artarnajuat (The Fast Runner).” American Quarterly 59(4): 1159–1185.
Rickard, Jolene. 2011. “Visualizing Sovereignty in the Time of Biometric Sensors.” South Atlantic Quarterly 110(2): 465–486.
Roberts, Diane. 2018. Six Questions [sound/video/photographic installation]. Morris and Helen Belkin Art Gallery.
U’mista Cultural Society. 2019. “Purposes of the Potlatch.” https://umistapotlatch.ca/potlatch-eng.php.
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