Museums of Anthropology or Museums as Anthropology?
Abstract
During 1995 the Pitt Rivers Museum, University of Oxford, marketed a postcard depicting 14 early handwritten labels from the museum's archive. This commercially orientated, self-reflexive museum production is taken as the starting point for an analysis of the relationship between the collection, the collector, the museum exhibition and the visiting public. The roles of documentation as an aspect of colonial appropriation, and that of artists in residence as parallel commentary are reviewed.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors contributing to Anthropologica agree to release their articles under the Creative Commons Attribution-Noncommercial 4.0 Unported license. This licence allows anyone to share their work (copy, distribute, transmit) and to adapt it for non-commercial purposes provided that appropriate attribution is given, and that in the event of reuse or distribution, the terms of this license are made clear.
Authors retain copyright of their work and grant the journal right of first publication.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
